I want you to know I’m not an uncritical lover of new words. And it’s not solely because they’re new. I do discriminate, and among my favourites may be found new words for groups of people, whose very labelling tells us something about the world we live in.
One such newie is precariat, clearly a blend of “precarious” and the suffix “–at”, perhaps best characterised in the term the “proletariat”. The use of the definite article (“the”) is a dead giveaway too. I’m thinking of other coinages in this category, like the commentariat. The category is typified by member nouns, using the suffix “-ian”: proletarian, Rotarian, authoritarian, establishmentarian, totalitarian, libertarian.
I found it in an advertisement for an upcoming lecture at The University of Sydney, where, no doubt, all will be explained.
See below:
http://sydney.edu.au/sydney_ideas/index.shtml
The Precariat: A new dangerous underclass
9 February, 6.00pm
A generation of educated people now start their working life in debt, but many are not offered any job security in the new flexible labour market, and drift towards casual and part-time work. Will they form a new under-class that threaten existing social structures? Professor Guy Standing, Professor of Economic Security at the University of Bath, has coined a new term for these people and others in social and economic insecurity—the precariat
Millions of people, including many in Australia, are entering a global precariat, part of a class structure shaped by globalisation. This lecture, drawing on a new book, poses five questions. What is the precariat? Why care? Why is it growing? Who is most likely to be in it? And where is it leading us?
The brief answer to the first question is that it consists of millions of people in social and economic insecurity, without occupational identities, drifting in and out of jobs, constantly worried about their incomes, housing and much else. It particularly affects youth, many realising that their certificates and degrees are little more than lottery tickets, leading many into status frustration.
Will the precariat’s growth lead towards an authoritarian politics of inferno, with neo-fascist overtones? Or will a progressive agenda emerge in the squares and cities of protest, responding to Enlightenment values and the aspirations of the educated younger generation being drawn into the precariat?
The lecture will examine the labour market dynamics underpinning the growth of the precariat and outline the new ‘politics of paradise’ taking shape outside the political mainstream.
The Crooner
13 05 2010I know a man on the wrong side (as they say) of his sixties. He has many charming qualities, one being the fact that he’s something of a crooner. It takes little to set him off – from the turn of the shower taps to a soft romantic smile from his wife.
Crooning as a form of communication is of linguistic interest to me, perhaps because it’s as alien and un-me as life-on-Mars. This is advantageous, enabling me to approach it anthropologically. As such, a ready platter of questions materialize – like, what is the pattern of this behavior: when, where, how and under what circumstances does it occur? What social purpose does it fulfill? What conditions need to be in place for it to function successfully?
One day I asked this fellow about his crooning and discovered what in fact was self-evident. The fact that the lyrics he always turns to are those he associates with his teenage and young-adult years. Much the way others of us turn to Leonard Cohen or Rod Stewart or Bob Dylan or Cat Stevens or James Taylor (or insert your own preferences, here). So, in the case of our crooner, Frank Sinatra, Perry Como, Cole Porter and a bevy of popular stage musicals feature prominently.
And as anyone will know who has a passing familiarity with the music of the fifties, sixties and seventies, these decades in part distinguish themselves from each other by the orientation of their lyrics. Can anyone ever imagine the wide-eyed, naïve, romantic lyrics of Doris Day’s Que Sera Sera being sung post-9/11? Or in the hardened 80s/90s, or in the socially conscious 60s/70s?
Two things emerge from my initial inquiry. One is that popular culture lyrics say something about the socio-cultural context that spawns them. Second, the music one associates with one’s own reaching of adulthood, infused as it is with the context of its times, has the strongest tug on one’s nostalgia strings. This accounts for why our crooner is locked onto his decade.
Quite scarily, research reported in a current issue of The American Journal of Preventive Medicine (mentioned in the online ScienceDaily), links teenagers who prefer popular songs containing degrading sexual references with a high incidence of early sexual activity.
This is congruent with something else the crooner told me. That the popular lyrics of his times provided the informal means by which he as a young man (and supposedly, his generation) learned how to treat the opposite sex. When extrapolated to the present, that’s a pretty scary thought.
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Tags: language in society, social comment, song lyrics
Categories : Public Language